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Reception of Oppenheim's Object
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Which of the following best describes the initial reception of Meret Oppenheim’s ‘Object (Le Déjeuner en fourrure)’ when it was exhibited at the Museum of Modern Art in 1936?

A

With indifference due to its small scale and simplicity

B

With critical acclaim for its traditional craftsmanship

C

With fascination and discomfort that elevated it to an iconic status

D

With outrage that led to its immediate removal from exhibition

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