Reception of Oppenheim's Object
Which of the following best describes the initial reception of Meret Oppenheim’s ‘Object (Le Déjeuner en fourrure)’ when it was exhibited at the Museum of Modern Art in 1936?
A
With fascination and discomfort that elevated it to an iconic status
B
With indifference due to its small scale and simplicity
C
With outrage that led to its immediate removal from exhibition
D
With critical acclaim for its traditional craftsmanship
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