Longmen Caves and Imperial Patronage
Which feature of the Longmen Caves best exemplifies the connection between political authority and religious art during the Tang Dynasty?
A
Depictions of military victories against nomadic tribes
B
Absence of female deities in the sculptural program
C
Imperial patronage and portraits of Empress Wu Zetian as a bodhisattva
D
Exclusive use of imported materials from conquered territories
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