Character Dissatisfaction in Limited Narration
In third-person limited narration, which of the following would most effectively convey a character’s dissatisfaction with the resolution of a personal conflict?
A
Through internal monologue expressing regret or longing for what could have been.
B
By describing other characters who are openly content with their endings.
C
Focusing heavily on landscape descriptions unrelated to the conflict.
D
Introducing new characters who distract from the main character’s journey.
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