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Enharmonic Equivalents and Pitch Notation

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Which statement best describes the relationship between enharmonic equivalents and the conventions of pitch notation in Western music?

A

The concept shows that each pitch has only one correct notation, emphasizing the precision of Western notation systems.

B

Enharmonic equivalents illustrate that pitches with different names always sound distinct, validating the complexity of Western tuning systems.

C

Enharmonic equivalents prove that certain pitches are more important than others, reinforcing the hierarchy of tones in Western music.

D

Enharmonic equivalents demonstrate that the same pitch can be notated in multiple ways, revealing the arbitrary nature of our pitch naming system.

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