Metrical Hierarchy and Time Signatures
How does the principle of metrical hierarchy inform the determination of the time signature for a piece like Debussy’s “Clair de Lune,” which prominently features three-note groupings?
A
It allows for the analysis of beat groupings at multiple levels, revealing whether the three-note groups function as the primary beat or as subdivisions
B
It disregards the presence of three-note groups in favor of a strict duple meter interpretation
C
It prioritizes the surface-level rhythm over the underlying metrical structure
D
It automatically classifies any piece with groups of three notes as a compound meter in 6/8 time
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