APFIVE Triplets and Metrical Ambiguity
How does the use of triplets in Beethoven’s Symphony No. 5 in C minor challenge the traditional classification of 3/4 time signature as a simple meter?
A
It introduces compound subdivision within a simple meter, blurring the distinction between simple and compound meters
B
It changes the time signature from 3/4 to 9/8, making it a compound meter
C
It alters the accent pattern to emphasize the second beat of each measure
D
It transforms the meter into a complex meter with irregular beat divisions
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