Historical Treatment Of The Tritone
How did the compositional treatment of the tritone interval evolve from the Baroque period to the Romantic period?
A
From being used only in sacred music to being restricted to secular compositions
B
From being the primary interval in compositions to being completely abandoned
C
From being avoided as the ‘diabolus in musica’ to being embraced for its expressive potential
D
From being considered consonant to being reclassified as the most dissonant interval
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