Imitative Counterpoint and Musical Texture
In the Fugue in D minor from J.S. Bach’s The Well-Tempered Clavier, Book 1, how does the use of imitative counterpoint contribute to the musical texture?
A
It establishes a homophonic texture with a clear melody and subordinate accompaniment
B
It produces a monophonic texture by emphasizing a single melodic line throughout the piece
C
It creates a polyphonic texture with interweaving melodic lines that echo and respond to each other
D
It generates a heterophonic texture through simultaneous variations of the same melody
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