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Techniques For Motivic Development
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In what ways can a composer manipulate a musical motive throughout a composition to create coherence and development?

A

By completely changing the motive’s rhythmic and melodic structure in each appearance

B

By exclusively using the motive in its original form throughout the entire composition

C

Through techniques such as transposition, inversion, augmentation, diminution, and fragmentation

D

Through the consistent use of contrasting motives that have no relation to the original

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