Techniques For Motivic Development
In what ways can a composer manipulate a musical motive throughout a composition to create coherence and development?
A
By completely changing the motive’s rhythmic and melodic structure in each appearance
B
By exclusively using the motive in its original form throughout the entire composition
C
Through techniques such as transposition, inversion, augmentation, diminution, and fragmentation
D
Through the consistent use of contrasting motives that have no relation to the original
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