Techniques For Motivic Development
Which of the following describes how a composer can manipulate a musical motive to create coherence and development within a composition?
A
By completely changing the motive’s rhythmic and melodic structure in each appearance
B
Through techniques such as transposition, inversion, augmentation, diminution, and fragmentation
C
Through the consistent use of contrasting motives that have no relation to the original
D
By exclusively using the motive in its original form throughout the entire composition
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