APFIVE Voice Leading with Inverted Leading-Tone Chords
What is the primary voice-leading effect of placing an inverted leading-tone seventh chord ($$\text{vii}^{\circ7}$$ or $$\text{vii}^{\varnothing7}$$) between two tonic chords?
A
It necessitates the doubling of the leading tone in the resolution
B
It allows for smoother voice leading by creating stepwise motion in all voices
C
It requires the chordal seventh to resolve upward by leap
D
It creates more parallel fifths between the outer voices
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