Second Inversion Dominant Seventh Resolution
How does the typical resolution of the chordal seventh in a $$\text{V}^4_3$$ chord differ from its resolution in other dominant seventh inversions?
A
The chordal seventh in a $$\text{V}^4_3$$ chord remains stationary, acting as a common tone with the tonic chord.
B
The chordal seventh in a $$\text{V}^4_3$$ chord resolves downward by a third instead of the typical stepwise motion.
C
The chordal seventh in a $$\text{V}^4_3$$ chord typically resolves upward to the third of the tonic chord, contrary to the usual downward resolution.
D
The chordal seventh in a $$\text{V}^4_3$$ chord resolves by leaping down to the fifth of the tonic chord.
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