Second Inversion Dominant Seventh Resolution
In what specific way does the voice leading of a chord differ from the typical resolution of chordal sevenths in other inversions?
A
The chordal seventh in a chord typically resolves upward to the third of the tonic chord, contrary to the usual downward resolution.
B
The chordal seventh in a chord remains stationary, acting as a common tone with the tonic chord.
C
The chordal seventh in a chord resolves downward by a third instead of the typical stepwise motion.
D
The chordal seventh in a chord resolves by leaping down to the fifth of the tonic chord.
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