Voice Leading with Inverted Leading-Tone Chords
What is the primary voice-leading effect of placing an inverted leading-tone seventh chord ( or ) between two tonic chords?
A
It allows for smoother voice leading by creating stepwise motion in all voices
B
It creates more parallel fifths between the outer voices
C
It necessitates the doubling of the leading tone in the resolution
D
It requires the chordal seventh to resolve upward by leap
Question Leaderboard
Not enough data yet to show leaderboard.