APFIVE Voice Leading with Inverted Leading-Tone Chords
How does the use of inversions in leading-tone seventh chords ($$\text{vii}^{\circ7}$$ or $$\text{vii}^{\varnothing7}$$) between two tonic chords affect voice leading?
A
It necessitates the doubling of the leading tone in the resolution
B
It allows for smoother voice leading by creating stepwise motion in all voices
C
It creates more parallel fifths between the outer voices
D
It requires the chordal seventh to resolve upward by leap
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