APFIVE Resolution of the Supertonic Seventh Chord
How does the voice leading of a ii7 chord differ from a ii triad when moving to a dominant chord in a typical predominant-dominant progression?
A
The root of the ii7 chord usually moves up to the fifth of the dominant chord, creating a stronger harmonic pull.
B
The fifth of the ii7 chord often leaps to the seventh of the dominant chord, creating a more complex harmonic texture.
C
The seventh of the ii7 chord typically resolves downward to the third of the dominant chord, creating smoother voice leading.
D
The third of the ii7 chord typically resolves upward to the root of the dominant chord, enhancing the harmonic tension.
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