APFIVE Arpeggiated And Passing 6/4 Chords
In what way does the voice leading for an arpeggiated 6/4 chord differ from that of a passing 6/4 chord?
A
Passing 6/4 chords involve chromatic alterations in all voices, while arpeggiated 6/4 chords maintain diatonic motion
B
Arpeggiated 6/4 chords typically involve stepwise motion in the bass, while passing 6/4 chords feature leaps
C
Passing 6/4 chords require contrary motion between outer voices, while arpeggiated 6/4 chords use parallel motion
D
Arpeggiated 6/4 chords always resolve to a $$\text{V}^6_5$$ chord, while passing 6/4 chords resolve to root position chords
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