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Arpeggiated And Passing 6/4 Chords
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How does the characteristic voice leading of an arpeggiated 6/4 chord differ from that of a passing 6/4 chord?

A

Arpeggiated 6/4 chords typically involve stepwise motion in the bass, while passing 6/4 chords feature leaps

B

Arpeggiated 6/4 chords always resolve to a $$\text{V}^6_5$$ chord, while passing 6/4 chords resolve to root position chords

C

Passing 6/4 chords require contrary motion between outer voices, while arpeggiated 6/4 chords use parallel motion

D

Passing 6/4 chords involve chromatic alterations in all voices, while arpeggiated 6/4 chords maintain diatonic motion

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