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Voice Leading of the Supertonic Seventh Chord
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Which statement describes the characteristic voice leading of a ii7 chord resolving to a dominant chord that does not apply when a ii triad is used in the same progression?

A

The root of the ii7 chord usually leaps up to the fifth of the dominant chord

B

The third of the ii7 chord commonly moves upward to the root of the dominant chord

C

The seventh of the ii7 chord typically resolves downward by step to the third of the dominant chord

D

The fifth of the ii7 chord typically remains stationary, becoming the seventh of the dominant chord

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