APFIVE Voice Leading of the Supertonic Seventh Chord
How does the voice leading of a ii7 chord differ from that of a ii triad when moving to a dominant chord in a typical harmonic progression?
A
The third of the ii7 chord commonly moves upward to the root of the dominant chord
B
The root of the ii7 chord usually leaps up to the fifth of the dominant chord
C
The seventh of the ii7 chord typically resolves downward by step to the third of the dominant chord
D
The fifth of the ii7 chord typically remains stationary, becoming the seventh of the dominant chord
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