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Atypical Functions of the ii4/2 Chord
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In what context might a ii4/2 chord function differently from its typical predominant role in a chord progression?

A

As a pivot chord in a modulation to the relative minor, exploiting common tones.

B

As a passing chord between I6 and I in a cadential $$\text{I}^6_4 - \text{V} - \text{I}$$ progression, serving a voice-leading function.

C

As the final chord in a Phrygian half cadence, emphasizing modal mixture.

D

As a substitute for the tonic chord in a deceptive cadence, creating harmonic ambiguity.

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