Voice Exchange and Bass Line Non-Chord Tones
How does the concept of voice exchange influence the placement of non-chord tones in the bass line of 18th-century style Western music?
A
It mandates the use of double passing tones in the bass for every voice exchange
B
It encourages the use of passing tones between chord tones that are exchanged between voices
C
It requires all non-chord tones in the bass to be neighbor tones
D
It prohibits the use of non-chord tones in the bass line entirely
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