APFIVE Fonte and Ponte Sequence Comparison
In what way does the fonte sequence in the first movement of Mozart’s Symphony No. 40 differ from a typical ponte sequence in terms of its harmonic function?
A
It creates a series of ascending perfect fourths in the bass line
B
It introduces a chromatic descent in the upper voices
C
It establishes a prolonged dominant pedal point
D
It modulates from the minor mode to the relative major
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