Fonte and Ponte Sequence Comparison
How does the harmonic function of the fonte sequence in the first movement of Mozart’s Symphony No. 40 differ from that of a typical ponte sequence?
A
It introduces a chromatic descent in the upper voices
B
It creates a series of ascending perfect fourths in the bass line
C
It modulates from the minor mode to the relative major
D
It establishes a prolonged dominant pedal point
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