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Leading Tone Resolution in a viio–I Progression
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In a 9-8 suspension moving from a viio chord to a I chord in F Major, what specific voice leading consideration must be addressed regarding the leading tone?

A

The leading tone (E) in the viio chord must resolve upward to F in the I chord.

B

The leading tone (E) in the viio chord should resolve downward to D in the I chord.

C

The leading tone (E) in the viio chord can remain stationary, becoming the third of the I chord.

D

The leading tone (E) in the viio chord should leap to A in the I chord to complete the suspension.

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