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Retrograde-Inversion Transformation
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What effect does applying both retrograde and inversion techniques to a motive have on its musical structure?

A

It creates a new motive that is harmonically related but rhythmically distinct from the original

B

It extends the length of the motive while preserving its original contour

C

It reverses the order of pitches and flips their intervallic relationships, creating a mirror image in both dimensions

D

It maintains the original pitch order but alters the rhythmic structure of the motive

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