Retrograde-Inversion Transformation
Applying both retrograde and inversion to a musical motive results in which of the following transformations?
A
It extends the length of the motive while preserving its original contour
B
It creates a new motive that is harmonically related but rhythmically distinct from the original
C
It maintains the original pitch order but alters the rhythmic structure of the motive
D
It reverses the order of pitches and flips their intervallic relationships, creating a mirror image in both dimensions
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