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Voice Exchange and Bass Line Non-Chord Tones
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How does the concept of voice exchange influence the placement of non-chord tones in the bass line of 18th-century style Western music?

A

It mandates the use of double passing tones in the bass for every voice exchange

B

It requires all non-chord tones in the bass to be neighbor tones

C

It encourages the use of passing tones between chord tones that are exchanged between voices

D

It prohibits the use of non-chord tones in the bass line entirely

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