APFIVE Secondary Leading-Tone Chords in Minor Keys
In the context of tonicization, how does the treatment of the leading tone in a secondary vii° chord in a minor key differ from that in a major key?
A
In a minor key, the leading tone of the secondary vii° chord is lowered to create a modal mixture effect
B
In a minor key, the leading tone of the secondary vii° chord is omitted to avoid harmonic tension
C
In a minor key, the leading tone of the secondary vii° chord is typically raised to create a stronger pull towards the temporary tonic
D
In a minor key, the leading tone of the secondary vii° chord remains unaltered to maintain the natural minor scale
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