Secondary Leading-Tone Chord in Deceptive Motion
How does the use of a secondary leading tone chord in a deceptive motion differ from a traditional V-vi progression in terms of its harmonic effect?
A
It eliminates the need for a dominant function in the progression
B
It weakens the resolution and creates a more ambiguous harmonic progression
C
It creates a stronger sense of temporary tonicization of the vi chord
D
It introduces chromatic alterations that are not present in the traditional V-vi progression
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