Resolution of a Temporary Leading Tone
How does the resolution of a temporary leading tone in a secondary dominant chord differ from the typical resolution of a leading tone?
A
It resolves to the root of the secondary target chord, not necessarily the tonic of the overall key
B
It always resolves downward by half step to the fifth of the secondary target chord
C
It resolves by leap to the third of the secondary target chord
D
It remains unresolved and acts as a non-chord tone in the following harmony
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