Secondary Dominant Chromatic Alteration
How does the voice leading for a V/IV-IV progression in G major differ from a typical I-IV progression in terms of chromatic alterations?
A
The V/IV chord introduces a B-flat that resolves to B-natural in the IV chord
B
The V/IV chord introduces an F# that resolves to F-natural in the IV chord
C
The V/IV chord introduces a C# that resolves to C-natural in the IV chord
D
The V/IV chord introduces an E-flat that resolves to E-natural in the IV chord
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