Secondary Leading-Tone Chord in a Deceptive Cadence
When a secondary leading-tone chord is used in a deceptive cadence, how is the resolution affected in comparison to a standard V–vi progression?
A
It has no significant impact on the resolution of the deceptive cadence
B
It weakens the resolution, making the deceptive cadence less effective
C
It creates a stronger pull towards the vi chord, intensifying the deceptive motion
D
It alters the voice leading, requiring the leading tone to resolve downward
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