Secondary Leading-Tone Chord in Deceptive Motion
What is the primary difference in harmonic effect between a traditional V–vi deceptive progression and one in which the vi chord is preceded by a secondary leading-tone chord?
A
It weakens the resolution and creates a more ambiguous harmonic progression
B
It eliminates the need for a dominant function in the progression
C
It introduces chromatic alterations that are not present in the traditional V-vi progression
D
It creates a stronger sense of temporary tonicization of the vi chord
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