Secondary Leading-Tone in Deceptive Progressions
Compared to a traditional V–vi progression, how does using a secondary leading-tone chord in a deceptive progression enhance the resolution to the submediant chord?
A
It simplifies the harmonic progression by reducing the number of chords used
B
It eliminates the need for proper voice leading in the resolution
C
It creates a stronger sense of tension and release due to the chromatic leading tone
D
It weakens the tonal center to prepare for a modulation
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