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AP Music Theory/Unit 8 – Modes and Form
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Cadential Closure in Double Periods
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Which of the following cadences provides the strongest sense of closure at the end of a double period?

A

Half Cadence (HC) with a $$\text{V}^7$$ chord

B

Imperfect Authentic Cadence (IAC) with $$\text{V}^6_5$$ to $$\text{I}^6$$

C

Perfect Authentic Cadence (PAC) in root position

D

Deceptive Cadence (DC) moving from V to vi

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